(Model #s B8001, B8005-B8010) Some are listed as 2 chassis units. The most frequently found are in, order of magnitude, AJ, AD, BC, AA, AE and AG. Over the fouryears of the six-eye label, fresh pressing runs would draw on the stock of lacquers, a general chronological drift, but many mismatched stamper combinations. I am afraid I agree entirely. I'd say 4th pressing since 1A,B,C were first pressings (A to NJ, B to Indiana, C to CA) and so D,E,F, would be second press, G,H,I would be third and J,K,L would be fourth (etc.). It's truly stupid for vinyl sellers like Insound.com to sell those things. Based in Holland, Music On Vinyl uses the Record Industry plant in Haarlem the largest surviving vinyl pressing plant in Europe and one of the top three in terms of quality, along with Pallas and Optimal in Germany. 4 Imperial Packing Co., Inc. of Indianapolis, IN In the case of KOB, you would need to at least hear the mono before rendering a judgement as to which you preferred! and from others better equipped than I to shed light on its innate greatness or lasting musical significance. I assume Mo-Fi's KOB will be the new stereo mix. I'm happy that people you know upgraded but my fear is that many young people will hear their vinyl degrade and then lose interest. Genres: Modal Jazz, Cool Jazz. And it makes sense in local marketing expertise: getting promos to their local radio station disk jockeys. The 2012 stereo is best forgotten. Miles Davis, The Original Mono Recordings | Stereophile.com IIRC the original Kind Of Blue Mono tape masters no longer exist so using an original mono pressing the mono mix was 'recreated' from the 3 track tapes. The mono tapes have gone missing. Although for current mono reissues they are using the stereo fold down because the mono original is lost. Matrix codes found on mono promos, produced from FOUR lacquers: A G, D and H (UPDATE 30/5/21: one promo with 1A has just come to light, with track sequence error, courtesy of a reader. Bridgeport mother/stamper process control process? I guess I'll buy the MOFI 45RPM version as well, but now fremer got me into the MONO version. It is art after alland there is really only one master, and only one first pressing which Miles and Teo agreed on as being "finished". Again, I'm very happy with my Columbia RSD pressing. Stereo promos were produced from four lacquers: E, K, AC and AE. Both mono and stereo six-eyes with a uniquely Canadian touch. I can crank the MoFi much more and it just fills the room, letting the music breathe. It was my understanding that the 2x45rpm MoFi reissue we've been waiting two years for was going to be mono as well? It follows more or less the overall Columbia evolution Guaranteed High Fidelity becoming MONO (white print); and STEREO first in black print then white print. Click the answer to find similar crossword clues . The track sequence error remained on the jacket in perpetuity. 2011 Vinyl LP Not Now / NOT2LP145 Kind of . I found 20 sufficiently sharp pictures of back covers acompanying promos. My search is over trying to find the perfect pressing, sorry MOFI and Classic records. Is that correct. That evidence is the Cover Fabricator Code found on the bottom right corner of the jackets accompanying promos. You can buy this same exact pressing for a very reasonable price just not numbered here: Miles Davis - Kind Of Blue Flippers gonna flip, I get it, but sometimes you can do something about it and maintain the same quality. At other plants, stampers were deliberately chosen from different laquers. Kind of Blue It is a sort of rattling sound. Instead what you got were three islands joined together with added reverb. During these sessions both a mono and a three-track stereo master were created, using a total of four tape recorders running in synchronisation one prime recorder and one safety backup each for mono and stereo. Have a look. WiththeStereo edition, different principles seem to apply. No, by the time I got interested in old mono pressings, the price on Piper had gotten too high. affiliations include, but are not limited to, the eBay Partner Network, and Once I got past the noise in the outer grooves (I cleaned it again) I found myself going back to the first time I heard it. Only the letters A to L were used, excluding I: A 1st cutting; B 2nd; C 3rd; D 4th; E 5th; F 6th; G 7th; H 8th; J 9th; K 10th; L 11th; AA 12th; AB 13th; AC 14th; AD 15h etc -. And, as a personal taste, I prefer orchestral recordings Porgy , Sketches , and Miles Ahead , all done with Gil Evansspread out. Both the mono and the stereo originals display the same pitch problem, that went un-corrected for decades. OPENING HOURS MON-THURS: 16-00 FRI-SAT: 16-02 . Not just the LPs, but the CDs, cassettes, reel to reel tapes and MiniDiscs, Sound engineer Mark Wilder, who made this discovery in 1992, then corrected it using the backup three-track stereo tape for the subsequent remastered reissues. With copies of KoB being pressed at three or four plants, it seems likely individual plants had their own work procedures. I'm very happy with this pressing. That's a killer disc all right, and the 5(3).1 is a wonder to behold. 3 Modern Album of Long Island, NY I've looked at the website and so far all I've learned is to find a local participating record store. Is that it? A small number of lacquers were responsible for generating mono and stereo promos, said to be manufactured in one plant, Bridgeport CT (WB New York, based on characteristics of centre label typesetting) though contradicted by local jacket manufacture codes accompanying promos. By rejecting non-essential cookies, Reddit may still use certain cookies to ensure the proper functionality of our platform. affiliations include, but are not limited to, the eBay Partner Network, and the site simply writes whatever their advertisers tells them to, so just follow the recommendations given by your fellow forum members. Those "pre-mixes" were specifically intended to blend together in the end into a single mono track. However with very much fewer auctions, and fewer sellers still identified the stamper codes,little more likely to be learnedin return for muchgreater effort. If the promos were all pressed at Bridgeport, Conn, one of the East Coast jacket manufacturer Imperial Paper Box Corp, Brooklyn (2) or Modern Album Long Island (3) would have supplied the jackets, no? Check out www.recordstoreday.com. There is no matrix-based code reason to believe a pressing off a 1BJ stamper will sound any different or better than one off an 1A stamper. They are all potentially the first. Most but not all lacquers used to press promos (A, G,D and H) went on to be used to press the commercial release. Another great mono is Dave Bruebeck's "Jazz In The USA.". Apparently it is the one that Miles Davis actually approved and gave input on. I'm not sure which transfer, mix and master the mono mix on HDTracks is, but I just ordered myself a copy of the limited edition mono vinyl only a couple days ago. "Scarborough Fair" sounds better in mono, but the rest of the "PSRT" album is killer in stereo. This was effectively the first identifiable pressing,running up to the August 1959 launchand during thefirst three months of sales. Band 1. I haven't had a chance to turn it up yet but it seems the instruments are further up in the mix and I could hear deeper into the background. A limited number of lacquers/ stampers were used in pressing promos, Side 1 and Side 2 were drawn mostly from different pairings. Producer Steve Hoffman: DCC's Vintage Remastering Guru Sounds Off If you mean at the beginning I'd say that is "sympathetic vibrations" and microphone leakage. It is very dynamic and seems a bit goosed on the high end. Columbia-CBS US (1961-67) The Six-Eye Columbias were the stars of Fifties audiophile recording engineering and pressing, however, however around 1961 corporate changes at Columbia were signalled by the introduction of the "CBS" name in addition to "Columbia". But most importantly, the music experience is complete and organically "whole," making a strong case for the superiority of the mono mix. In afurther variation the word UNBREAKABLE under the catalogue number disappears. Cookie Notice I plan on making a home brew unit soon, $600 to do it right. For years, I used to think it was a bad left channel speaker in my system. Early, late, etc? That is 100,000 albums per lacquer. (Yeah,they start with an A.) They're very impressive for mono recordings. Mono vs Stereo: The Complete Guide | HiFiReport.com Read John Marks' account of hearing the three-track master tape at Sony Studios. Not cool. The mono original (and reissue) provides a better overall instrumental balance, with greater emphasis on the piano and more solid imaging. I grew up in the mono era. Light VC, but there. It is a blue coloured record. The stereo releases from 1959 to 1992 had the songs on side-A slightly sharp in pitch. CD 37th; CE 38th; CF 39th; CG 40th; CH 41st; CJ 42nd; 5 Modern Album of Terre Haute, IN I just finished comparing the HD tracks 24/192 wave files with theJapanese SACD and the Legacy vinyl (not the poorly pressed blue vinyl). Evidenced by the Side 2 track-listing error, mono lacquers A, B, C and D (any onboth sides)were used in the first pressingrun, together with a small number of others: a minorityof D1/D1 copies had the track list error, and one 1H/1D (1H lacquer used also for promo) was found with the erroneous label, though there may be others. Nor are they sold at gunpoint. Previously overlooked, there is some evidence that the distribution of promos and possibly manufacture may have been the work of more than one plant, possibly three. At 1D on both sides, Side 2 was found in both correct and incorrect track listing order i.e. After hearing a lot of different versions of KOB I believe it's just the sound of the mute which is raw and gritty. What is the slight distortion that is present in every copy of KOB I've ever heard? Hi michael, Do you know about Music on vinyl in EU. and our Have you read Fremer's review? Luckily for vinyl fans, the story doesnt end there. Regarding vinyl it is felt that the 2014 mono vinyl release is the sane way to go if you want the best sound up til the White album. A mono cartridge should not be used to playback a stereo record unless the manufacturer states that it has both horizontal and vertical compliance; however, a stereo cartridge can easily . Featuring Evans at his most mellow and cheery, moody bass modulations by Chambers, notable fast-shuffle boogie drums by Cobb, rich slabs of Coltrane sax, and slalom-sliding trumpet by Miles in joyous Surrey With a Fringe on Top style it might come from a different sound world to the lonely, modal Kind of Blue tunes, but Green Dolphin Streetis nevertheless a blue ribbon bonus track. If people didn't buy their products, then they wouldn't make them. ), Forum Policies, Rules, and Terms of Service. Progress, what is it with that word that it manges to bug me so often? Columbia may eventually have arrived at aneat andorderly system of lacquer distribution withthis combination of plants, but the evidence from Kind of Blue shows that was not how the system worked in 1959. Perfect consistent quality. The mono playback was a wonderful remembrance of the old LP we all knew and loved. For the conversion of the signal to sound, mono sound requires one channel. Kevin Gray: Columbia used PAL and PBL prefixes for side 1 and 2, and A and B suffixes for the Santa Maria, Ca. The earliestpressing of stereo six eyeis I believe stereo promos (E, K, AC, and AE),some other rare single alpha (1E and 1H) andsome 1AA and 1AC which also have the Side 2 track-listing error most of them do not. The lacquer code can in theory be matching both sides (1A/1A), but if two lacquers were supplied to a plant, four Side 1/ Side 2 permutations are possible: 1A/1A, or 1A/1B or 1B/1A or 1B/1B, depending on which lacquers came to hand when being mounted in a press. I just received my RSD numbered copy today and it has the same feel as my original pressing. Flamenco Sketches was wrongly listed as the first track, and All Blues as the second. I'm not going to write about the modal music here. Crosley tables do chew grooves, but the company doesn't forcibly place their products into anyone's hands. Dynamic range doesn't seem terribly reduced, more that the overall level has just been raised. AB 13th; AC 14th; AD 15th; AE 16th; AF 17th; AG 18th; Barcode and Other Identifiers Barcode: 4 547366 450958 Other Versions (5 of 502) View All Recommendations Kind Of Blue Miles Davis You must log in or register to reply here. Beyond that, you end up with any six-eyepressed between 1959 and 1963. My guess is that at one plant alone, the press operators chose the stamper pair from one lacquer. Bonus enjoyment if you have a 5.1 setup. Mono & Stereo 2022: INTERVIEW WITH STEVE HOFFMAN Identifiable early pressings are very rare. can lpc diagnose in missouri My account. A stereo record contains separate left and right channel information on each groove-wall at a 45-degree angle from each other.The groove is a more complicated shape with both lateral and vertical information. Your phrasing that mastering did the fold down is incorrect. My initial thought in reply to my questioner was the lazy answer, " it depends which you prefer" . At one point, in theearlymid60s, five plantswere in simultaneous operation, which helpsexplain whymultiple laquers were being cut to supportpressing of consistent quality at many different locations. Sign up to receive our Wednesday Breakfast Headlines, Miles Davis Kind of Blue (Deluxe) (Music On Vinyl MOVLP-019. P.S. Going back over the pictures of jackets accompanying mono white label promos, three fabricator codes are found: 2, 4, and 6. The mysteryis the missing lacquers the nextletters which never appear on any side of any monocopy of Kind of Blue: E, F, K andL. None appear in the auctions sampleor the reader survey. See Promo Cover Fabricator new section below). The suffix -1B is visible on mono Side 1 and seller described both sides 1B/1B. UPDATE 12/08/19: a copy with 1F has been found, with track listing error Side 2 1D/1F with TA etching (Conn. plant). Sony Legacy were mono, see Michael Framer's review in Analogplanet.com. Columbia went down the letters to a certain point and then started double letters (AJ) so I'd say that was fairly early. Though T has been suggested as referring to Terre Haute, it remains likely a Bridgeport pressing suggested by the label fonts. When stereo appeared, I was overwhelmed (pace the ping pong crap). So how does the mono compare to the stereo and how does this mono compare to the original? 2001-2023 Head-Fi.org. I saw Arthur's comments about distortion and as I was listening I instantly understood what Arthur was commenting on. Yes I know that I'm being rather harsh but I have had it with all of Stereophile's bs and worthless information. Its a double album, with the first LP offering the record in its original stereo form (speed corrected, of course) and a second disc featuring the first take of Flamenco Sketches on one side and a version of Green Dolphin Street on the other. Both run just under ten minutes and, since they are allotted an entire 12 inch side each, there is potential for wide groove spacing and superior sound. Columbia maintained process and quality control of its print and packaging suppliers through these codes. Enter a Crossword Clue. my copy says Music on Vynil launched on black friday with serial n. 3D-imaging and the wide, deep soundstage are eyebrow-raising; these Davis mono remaster titles sold me on other mono remasters, and rival (IMHO, to my ears) the Columbia/Legacy 180g six-eye stereo remaster I bought last year. Perhaps defective, or damaged, they were never put in service. Does anyone know if this release sounds better than the Sony Legacy 180gr release? Is there some mixing advantage of putting the 3 tracks into one channel instead of two ? Different listening experience. :-).
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